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![Orbiter]( "Orbiter")
infoinstallation, sculpture
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![Orbiter]( "Orbiter")
infodetail of installation
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![Almost]( "Almost")
infoInstallation view
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![Overview This Is One Landscape, Divided at Billytown]( "Overview This Is One Landscape, Divided at Billytown")
infoInstallation, Drawing, Sculpture
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![Exhibition Overview at Villa Heike Berlin]( "Exhibition Overview at Villa Heike Berlin")
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![The Huge Amount Of Matter Between Me And The Distant Light Source, 2023]( "The Huge Amount Of Matter Between Me And The Distant Light Source, 2023")
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![Collecting Anomalies, 2023]( "Collecting Anomalies, 2023")
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![Zwischen Oben und Unten]( "Zwischen Oben und Unten")
infoexhibition overview of the duo exhibition together with Alexander Kadow at Raum linksrechts in Hamburg
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![Zwischen Oben und Unten]( "Zwischen Oben und Unten")
infoexhibition overview of the duo exhibition together with Alexander Kadow at Raum linksrechts in Hamburg
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![Cognitive dissonance]( "Cognitive dissonance")
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![Micro - Macro]( "Micro - Macro")
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![Verschiedene Umdrehungen, erweiterter Horizont, Zenith]( "Verschiedene Umdrehungen, erweiterter Horizont, Zenith")
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![OHRIVERSUM - Sensory Threshold LAB 2021]( "OHRIVERSUM - Sensory Threshold LAB 2021")
infoA project initiated by Katherina Heil in collaboration with Alexander Heil and Rik Möhlmann at De Fabriek Eindhoven. ‘As a particle of the atmosphere is never lost, so sound is never lost. A strain of music or a simple tone will vibrate in the air forever and ever, decreasing according to a fixed ratio. The diffusion of the agitation extends in all directions, like the waves in a pool, but the ear is unable to detect it beyond a certain point. It is well known that some individuals can distinguish sounds which to others under precisely similar circumstances are wholly lost. Thus the fault is not in the sound itself, but in our organ of hearing, and a tone once in existence is always in existence.’ [Florence McLandburgh The Automaton Ear 1876] I am walking on the beach. The wind swirls around my body. The waves wash the shore, crashing onto the land in an endless phasing repetition, creating an oscillating swell of noise. I encounter a sea shell. I lift it towards my ear – a maze of sound reveals itself to me. We live immersed in a world of sound. However, most of the sounds are filtered out by the shape of our ear. With this project we want to include ourselves deeply within this world, which extends beyond our daily experience. And thus we began our intuitive search for the relations between the ear, its form, and the resulting sound experience. Eventually, all human ears are built using the same blueprint. Nevertheless, every ear is uniquely shaped like a fingerprint and thus influences our subjective acoustic experience of the world. One could say, that listening beings all together live in their subjective sonic worlds. Therefore, we invented the concept of the Ohriversum (German ‘Ear-verse’) in which the entirety of all listening beings establishes a spatial constellation of these individual worlds. ‘Ohriversum’ takes place as part of the ‘Sensory Threshold LAB’. A group of artists exploring the inaudible dimensions of our reality, forming new collaborations, narratives and metaphors. concept: KATHERINA HEIL, ALEXANDER HEIL, RIK MÖHLMANN contributing artists: SARAH ROSE GUITIAN NEDERLOF, FARZANÉ NOURI, GIJSJE HEEMSKERK, KIM DAVID BOTS Installation: 22 cubic meters sand, plastic bags, textile, wood, speakers, various microphones, laptop, 4 channel speaker system, 117 ceramic sculptures around 20 x 20cm, leader, metal pot and bowl, towels, drawings on paper.
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![Orbiters]( "Orbiters")
infoInstallation view: exhibition overview from the duo exhibition SPACIAL DRIFT at Exgirlfriend Gallery in Berlin.
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![2I/2019 Q4 – relational perspective]( "2I/2019 Q4 – relational perspective")
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![1I/2017 U1 – subjective perspective]( "1I/2017 U1 – subjective perspective")
infoinstallation view, Exgirlfriend Gallery, Berlin
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![I dreamt that I was holding the first meteorite]( "I dreamt that I was holding the first meteorite")
infoinstallation view, Exgirlfriend Gallery, Berlin
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info
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![Purple Distance Bending]( "Purple Distance Bending")
infoDigital Collage, MacBook, vulcanic stones Installation view: A-DASH project space, Athens Thanks to Mondriaan Fund Amsterdam
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![Sensory Threshold/ Drawing no. 29]( "Sensory Threshold/ Drawing no. 29")
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info
Almost, 2019; extract of HD Video, installation, Loop 3D Animation, HDMI Flatscreen, Headphones 120 x 70 cm 3D animation made in collaboration with Rik Möhlmann made possible with the support of Mondriaan Fund, Amsterdam © 2019 Katherina Heil
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![Sensory Threshold/ Drawing no. 25]( "Sensory Threshold/ Drawing no. 25")
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![Sensory Threshold/ Drawing no. 28]( "Sensory Threshold/ Drawing no. 28")
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![Cosmographia]( "Cosmographia")
infopart of installation/ installation view at A-DASH project space in Athens
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![Downside up]( "Downside up")
infoInstallation view of the group exhibition 'Time out of mind' at Billytown, The Hague Picture Courtesy: Jhoeko, Billytown, The Hague
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info
2min excerpt* from Passerby, HD Video, installation, 10:00min, 2018 3D animation in collaboration with Rik Möhlmann *full video on request Made possible with the support of CBK Rotterdam © 2018 Katherina Heil
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info
Video loop / animation variable size part of the installation "Sensory Thresholds I - Spinning on the grid" © 2018 Katherina Heil Thanks to CBK Rotterdam
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![Passerby]( "Passerby")
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![Sensory Threshold/ Drawing no. 11]( "Sensory Threshold/ Drawing no. 11")
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![Sensory Threshold/ Drawing no. 18]( "Sensory Threshold/ Drawing no. 18")
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![Sensory Threshold/ Drawing no. 16]( "Sensory Threshold/ Drawing no. 16")
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![Potatoearth spinning on the grid / Melting ice caps]( "Potatoearth spinning on the grid / Melting ice caps")
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![Spinning on the grid]( "Spinning on the grid")
infoInstallation
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![Passerby]( "Passerby")
infovideo installation/ part of installation view Nida Art Colony (LT)
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info
Installation / Performance (±90 min) various materials, combination of works realized at De Fabriek Eindhoven, March 2017 For this solo exhibition, I have been researching the narrative potential of the objects in my body of work. During the Opening, I revealed these altering narratives within my installation by shifting the works through the exhibition space with a small team of three.
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![Things can be seen more easily in motion]( "Things can be seen more easily in motion")
infoInstallation / Performance (±90 min) various materials, combination of works realized at De Fabriek Eindhoven, March 2017 For this solo exhibition, I have been researching the narrative potential of the objects in my body of work. During the Opening, I revealed these altering narratives within my installation by shifting the works through the exhibition space with a small team of three.
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![Mimesis of tectonics]( "Mimesis of tectonics")
infoDetail of the installation at Kaus Australis Rotterdam please visit my website to see more details of this work
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![Dialogue with a stone (detail)]( "Dialogue with a stone (detail)")
infodetail of the wall drawing at Kaus Australis Rotterdam please visit my website to see more details of this work
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![Being a surface]( "Being a surface")
info2D print taken from a 3D print file of a 3D scanning process of a stone
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![Being a stone, Found stone]( "Being a stone, Found stone")
infoInstallation/ part of the project 'Dialogue with a stone' Installation view at EKWC during my residency in sundaymorning@ekwc
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![Richtung und Bewegung]( "Richtung und Bewegung")
infoInstallation at EKWC during my residency in sundaymorning@ekwc Thanks to Mondriaan and Fonds Kwadraat
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![objetcs in orbit]( "objetcs in orbit")
infoInstallation view of the group exhibition 'Time out of mind' at Billytown, The Hague Picture Courtesy: Jhoeko, Billytown, The Hague
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![Noise]( "Noise")
infoInstallation view of the group exhibition 'Time out of mind' at Billytown, The Hague Picture Courtesy: Jhoeko, Billytown, The Hague
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![2018]( "2018")
infopart of installation 'Dreaming about the universe' at Greylight Projects, Brussels
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![After You Dream Of Before]( "After You Dream Of Before")
infopart of installation 'Dreaming about the universe' at Greylight Projects, Brussels
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![Devided by two]( "Devided by two")
infopart of installation 'Dreaming about the universe' at Greylight Projects, Brussels
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![Slippery Slick Yellow Dust]( "Slippery Slick Yellow Dust")
infotwo part sculpture Installation view at Boetzelaer|Nispen
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!['It could be the goldfish is mistaking the bow-tie for a football']( "'It could be the goldfish is mistaking the bow-tie for a football'")
infoInstallation view of the Group exhibition at Boetzelear|Nispen Amsterdam
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![You found what I was looking for I failed]( "You found what I was looking for I failed")
infoInstallation: paper stacks/ photo copies and stone on plinth, plinth:140x95x20cm video projection/ loop: app.33x21cm, Picture Courtesy: Boetzelaer|Nispen Amsterdam, 2015
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![Passerby]( "Passerby")
infodrawing, sculpture/ part of installation view Nida Art Colony (LT)
Websites
personal website
katherinaheil.de/project website Sensory Threshold LAB
sensorythresholdlab.org/Social media
Member of Artists’ Initiative/Collective/Incubator
Billytown - artist' initiative The Hague; Sensory Threshold Lab - Platform For Interdisciplinary Exchange
Platform
Patty Morgan
Member of a professional association/artists’ association
Stroom Den Haag
BBK Berufsverband Bildender Künstlerinnen und Künstler Germany
VG Bildkunst Germany
Curriculum vitae
Education
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2017 - 2017RISO print workshop PrintRoom Rotterdam
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2016 - 2016Ceramics, 3D printing Sundaymorning@EKWC diploma
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2013 - 2015MFA Fine Arts Den Bosch, Academie van Kunst en Vormgeving diploma
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2010 - 2012Cultural Sciences Humboldt University Berlin
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2006 - 2009Photography (class of Prof. Matthias)Leupold diploma
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2006 - 2009Photography University of Applied Art & Design BTK-FH in Berlin, Germany diploma
exhibitions
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2025Vom Verhalten Zueinander (On Relation) Galerie Hyle Hamburg, Germany Duo
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2024Mythology & Matter Sally's Fault Amsterdam, Netherlands Duo
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2024The Sea We Want To Sea Korea Foundation Gallery Seoul, Democratic People's Republic of Korea group exhibition with Afra Eisma, Sam Hersbach, Jiajia Qi. Curated by Heeseung Choi artviewer.org/the-sea-we-want-to-see-part-1-at-korea-foundation-gallery/ Group
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2024Sensory Threshold Lab: As Found+ Kunstfort Vijfhuizen Vijfhuizen, Netherlands interdisciplinary exhibition project www.kunstfort.nl/nl/publieksprogramma/sensory-threshold-lab/ Group
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2023Intangible Scopes Villa Heike Berlin, Germany Duo exhibition with Alexander Kadow - photography, drawing, interdisciplinary 2023 Duo
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2023
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2023
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2023This Is One Landscape, Divided Billytown The Hague, Netherlands A group exhibiton with 3 artists, as part of an exchange project between The Hague and Seoul 2022 Group
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2023Aviation Yellow Gallery Leiden, Germany group exhibition with Gerco de Ruiter and Wouter Stelwagen www.yellow-gallery.com/exhibitions Duo
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2023Mythology & Matter Sally's Fault Amsterdam, Germany a duo exhibition with Sophia Simenski, an artist talk about Mythology & Matter, and a collaborative sound performance sallysfault.com/ Group
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2023
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2022Zwischen Oben und Unten Galerie Raum linksrechts Hamburg, Germany duo exhibition with Alexander Kadow 2022 Duo
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2022RSVP Billytown Gallery The Hague, Netherlands On January 28th Billytown opened its doors with an exhibition showing the work of 30 artists. After almost two years of shuffling between togetherness and isolation, we recognize the importance of connections, conversations and working relationships as a necessity for any artistic practice. Artists don’t exist in a vacuum, they are part of intricate networks of colleagues, friends, teachers, and family. While we may not yet be able to bring people together, we can bring works together. For this exhibition artists from within Billytown each invited a guest to show a work in parallel with their own. Within this collection of fifteen duo shows, we find artists who collided overseas and ended up living in the same city, and others who passed each other once and never again. Some saw the artist first, others saw their work first, even years beforehand. There are people who have never met, years-long collaborations, provocative challenges, or simply guests who provide encouragement and inspiration. Theoretical connections, material connections, and connections between the present and past. In Billytown, we feel the generative intimacy of working together, but also the chaos it brings. While the connection between each pair is the primary focus, new and unexpected connections appear between other works in the space. As such, each duet provides a guiding voice within the often chaotic context of a large group show. From the wide variety of motivations and impulses behind each artist's invitation, questions arise about the nature of invitation and the potential of collaboration. 2022 Group
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2022Between Above and Below Galerie LinksRechts Hamburg, Netherlands For the exhibition 'Zwischen Oben und Unten' the two artists explore similarities in their work and open up new spaces of association. Kadow and Heil share a fascination for the interplay between micro and macrocosmic phenomena. In their works specific properties of the different media (drawing, photography, sculpture) are reflected. 2022 Duo
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2022Sensory Threshold LAB 2022 - Holy Grid Billytown The Hague, Netherlands Architecture is all about serial production. It is already evident in the repetition of elements in ancient temples. Greek temples, for instance, entail several handmade yet serial parts like their columns arranged according to a homogeneous grid. With the industrial revolution, machines took over more and more stages of production. This applies to architectural elements in the same way it applies to a vast number of other products. Many of them, cars for instance, create landscapes of cars. Stored on huge parking lots of the factories, they are waiting to be shipped throughout the world. The ornamentation of the products became more and more subtle, changed, or disappeared entirely. Especially complex ornaments were complicated to manufacture within the factories of the ‘Fordian Revolution’. With the automated serial production of things, the products themselves became sorts of ornaments, arranged in grid patterns like the cars mentioned above, the tiles on your kitchen floor, the windows on the other side of the street, the pavement of the sidewalk you are walking on, the bricks of the building's wall next to you. Now visible in the foreground of our industrially produced world, the grid became an ornament itself, as you can see in this building. But grids do not solely dominate our built environment. They facilitate and rule cyberspace, our communication technologies, and emerge as models as we dive deeper and gain better understanding of how our brain constructs our reality." "Holy Grid! What’s going on? Is our brain really wired to organise our environment and thoughts into homogenous grids? This is what we want to explore and challenge during this years ST LAB. The participants are invited to initiate collaborative approaches, workshops and lectures to create a vast range of positions towards the theme of the grid. Seriality, industrial production, and eventually the grid moved more and more in the foreground of architectural design. You can see this reflected in the building where Billytown is located. New technologies, like the parametric design, producing variants from complex shapes in series is still based on the mesh - a complex grid. Grids do not solely dominate our build environment. They facilitate and dictate cyberspace our communication technologies and they emerge as models as we dive deeper and gain a clearer understanding of how our brain constructs our reality. 2021 Group
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2022We are just sitting in a room, drawing, until the walls are full Home Gallery The Hague, Germany 'We were just sitting in a room, drawing, until the walls are full.' ... and we were not just sitting in a room, drawing, until the walls are full... while constantly drawing and sticking the works to the walls we create a thin film. The architecture in which we are working will vanish soon. With this project and its transgression into the digital space, this room will somehow outlast the 'sloop' (dutch: demolition) of the whole building block which is a monument of modern Dutch communal architecture. The photogrammetry we will create can be seen as a thin imprint - a ghost - of what was here until it itself will disappear. 2021 Group
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2022This Is One Landscape, Divided Billytown The Hague, Germany A group exhibiton with 3 artists, as part of an exchange project between The Hague and Seoul 2022 Duo
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2022Intangible Scopes Villa Heike Berlin Berlin, Netherlands duo exhibition with Alexander Kadow 2022 Group
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2021
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2021
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2020
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2019Dunes, Meteors, and Spaceships The Orchid and The Wasp Amsterdam, Netherlands solo presentation in the project space The Orchid and The Wasp, curated by Maud Oonk 2018 Group
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2019
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2019Ohriversum - Sensory Threshold LAB 2021 De Fabriek Eindhoven Eindhoven, Netherlands A project initiated by Katherina Heil in collaboration with Alexander Heil and Rik Möhlmann ‘As a particle of the atmosphere is never lost, so sound is never lost. A strain of music or a simple tone will vibrate in the air forever and ever, decreasing according to a fixed ratio. The diffusion of the agitation extends in all directions, like the waves in a pool, but the ear is unable to detect it beyond a certain point. It is well known that some individuals can distinguish sounds which to others under precisely similar circumstances are wholly lost. Thus the fault is not in the sound itself, but in our organ of hearing, and a tone once in existence is always in existence.’ [Florence McLandburgh The Automaton Ear 1876] I am walking on the beach. The wind swirls around my body. The waves wash the shore, crashing onto the land in an endless phasing repetition, creating an oscillating swell of noise. I encounter a sea shell. I lift it towards my ear – a maze of sound reveals itself to me. We live immersed in a world of sound. However, most of the sounds are filtered out by the shape of our ear. With this project we want to include ourselves deeply within this world, which extends beyond our daily experience. And thus we began our intuitive search for the relations between the ear, its form, and the resulting sound experience. Eventually, all human ears are built using the same blueprint. Nevertheless, every ear is uniquely shaped like a fingerprint and thus influences our subjective acoustic experience of the world. One could say, that listening beings all together live in their subjective sonic worlds. Therefore, we invented the concept of the Ohriversum (German ‘Ear-verse’) in which the entirety of all listening beings establishes a spatial constellation of these individual worlds. ‘Ohriversum’ takes place as part of the ‘Sensory Threshold LAB’. A group of artists exploring the inaudible dimensions of our reality, forming new collaborations, narratives and metaphors. Katherina Heil Alexander Heil Rik Möhlmann Sarah Rose Guitian Nederlof Farzané Nouri Gijsje Heemskerk Kim David Bots 2019 Solo
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2018Sensory Thresholds III – Cosmographia A-DASH project space Athens, Lithuania solo exhibition at A-DASH in combination with the Symposium 'Cosmographia', realized in collaboration with Rik Möhlmann and PACTO art collective from London 2017 Solo
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2018Ceramic on the Spot Willem Twee Kunstruimte Den Bosch, Netherlands group exhibition together with 24 artists (EKWC alumni), curated by Ivonne van der Velden 2017 Solo
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2017
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2017Sensory Thresholds I – Spinning on the grid galerieGallery, Rotterdam, Netherlands solo presentation where I introduced the first chapter of my project Sensory Thresholds, where I showed drawings, sculptural pieces and a digital video collage in a spacial installation in the rooms of galerieGallery 2015
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20162021 VITRINE Basel Basel, Netherlands Exhibition curated by Alys Williams and Chris Bayley www.vitrinegallery.com/exhibitions/identify-limitations-acknowledge-periphery-round-two/
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2016Time out of mind Billytown 2022, Netherlands Exhibition curated by Whatspace and Jeroen Doorenweerd www.billytown.org/time-out-of-mind
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2015It could be the goldfish is mistaking the bow-tie for a football 2021 Amsterdam, Netherlands group exhibition together with Bonno van Doorn en Daan Gielis trendbeheer.com/2015/03/17/it-could-be-the-goldfish-is-mistaking-the-bowtie-for-a-football-boetzelaer-nispen/ Group
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2015hings can be seen more easily in motion De Fabriek Eindhoven, Netherlands in conversation with Gemma Medina Estupiñan Sensory Threshold Lab 2022 - HOLY GRID! Group
Projects
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2024
The Sea We Want To See Korea Foundation Seoul, Democratic People's Republic of Korea artviewer.org/the-sea-we-want-to-see-part-1-at-korea-foundation-gallery/ a group exhibition with Afra Eisma, Sam Hersbach and Jiajia Qi as part of an artistic exchange project between The Hague and Seoul
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2022
2017 Billytown The Hague, Netherlands st-lab.katherinaheil.de/sensory-threshold-lab-2022-holy-grid/ During Sensory Threshold LAB 2022, HOLY GRID! at Billytown in The Hague, the participants were invited to create, enact, think and talk about grids of all imaginable manifestations. This can be the pavement of a sidewalk, the invisible grid of a computer-generated landscape, or a social grid. (Co-curated with Alexander Heil)
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2021
Sensory Threshold Lab 2021 - OHRIVERSUM Sensory Threshold LAB Eindhoven, Netherlands st-lab.katherinaheil.de/sensory-threshold-lab-2021-ohriversum/ During Sensory Threshold LAB 2021, OHRIVERSUM at De Fabriek Eindhoven, the participants explored the world of sound. Especially these sounds we cannot hear because of the shape of our ear. (Co-curated with Alexander Heil)
International exchanges/Residencies
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2021A-DASH project space Athens, Greece self-directed residency period, made possible with the support of Mondriaan Funds a-dash.space/
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2018Nida Art Colony of Vilnius Academy of Arts Nida, Lithuania individual residency period, made possible with the support of CBK Rotterdam www.nidacolony.lt
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2017De Fabriek Eindhoven Eindhoven, Netherlands individual residency period / solo exhibition www.defabriekeindhoven.nl/
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2016Künstlerhaus Vorwerkstift Hamburg, Germany two week residency at Vorwerkstift and presentation at Galerie 21 in Hamburg vorwerkstift.de/de/
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2016Stichting Kaus Australis Rotterdam, Netherlands residency period, made possible with the support of Mondriaan Funds kausaustralis.org/
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2016EKWC - European Ceramic Workcenter, Oisterwijk, NL 2022, Netherlands made possible with the support of EKWC and Fonds Kwadraat sundaymorning.ekwc.nl/
Commissions
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2021
Sales/Works in collections
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2025private collector Amsterdam, Nederland Acquisition of 1 drawing, unique, signed
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2023private collectors Hamburg, Duitsland
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2023private collector Hamburg, Duitsland Acquisition of drawing, unique, framed, signed
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2022Being A Surface private collector The Hague, Nederland Acquisition of wall piece, unique, signed
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2022private collector Berlin, Duitsland Acquisition of 3 Drawings, unique, signed
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2021private collector Portland, Verenigde Staten Acquisition of 1 drawing/ painting, unique, signed
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2021private collectors Hamburg, Duitsland Acquisition of 1 drawing, unique, signed
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2021private collectors Hamburg, Duitsland Acquisition of 1 drawing/ painting, unique, signed
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2021private collector Hamburg, Duitsland Acquisition of 1 drawing/ painting, unique, signed
Publications
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2024Monthly Art South Korea Heeseung Choi
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2024The Sea We Want To See art viewer Heeseung Choi artviewer.org/the-sea-we-want-to-see-part-1-at-korea-foundation-gallery/
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2023This Is One Landscape, Divided Lost Painters, Niek Hendrix Netherlands
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2023This Is One Landscape, Divided art viewer
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2023JETZT:ALLE Catalog BBK Hamburg Barbara Dévény Hamburg, Germany Exhibition catalog JETZT:ALLE at Kunsthaus Hamburg.
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2022Galerien in Hamburg Catalog Landesverband Hamburger Galerien e. V Angela Holzhauer Hamburg, Germany Landesverband Hamburger Galerien e. V., Galeries in Hamburg, Spring | Summer 2022
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2022ZWISCHEN OBEN UND UNTEN ZEICHNUNGEN, FOTOGRAFIEN UND SKULPTUREN VON KATHERINA HEIL UND ALEXANDER KADOW Catalog Raum linksrechts Christine Preuschl, Patrick Giese, Melanie Klapper, Sebastian Asiedu Hamburg, Germany Exhibition catalog 'Zwischen Oben und Unten'
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2021POSITION. Catalog BBK Hamburg Carsten Rabe 2021, Germany kunsthaushamburg.de/en/buchveroeffentlichung-position-2-0/# Exhibition catalog POSITION.
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2021Cosmic Latte Book myself Katherina Heil The Hague, Germany katherinaheil.de/text-cosmiclatte_book.html cosmic latte is not a fancy coffee. it’s the average color of the universe. but the color code is not the focus of this book. it’s the poetic potential of science and outer space which is explored in this work. the visual possibilities of poetry deepen the dialogue between the written word and our associations of imagining the world. earth, cosmos, man, space exploration, earth observation, climate, weather – these topics can be paralyzing regarding their scale, yet at the same time, they open a door to intimate imagination.
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20192018 Book myself Katherina Heil Rotterdam, Netherlands artist book Sensory Thresholds III - Cosmographia is published on the occasion of Katherina Heil’s residency at A-DASH (GR), 1 Feb – 31 March 2019 and was made possible by the generous support of the Mondriaan Funds Publication: digital printing. 40 pages / saddle stitch booklet / 14 x 21 cm Design / Editing: Katherina Heil Publisher: Katherina Heil, Rotterdam
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2019Sensory Thresholds II – Passerby Book myself Katherina Heil Rotterdam, Netherlands katherinaheil.de/text-passerby_booklet.html artist book Sensory Thresholds II – Passerby / katherina heil 2018 Publication: digital printing. 44 pages / saddle stitch booklet / 14 x 21 cm Design / Editing: Katherina Heil Publisher: Katherina Heil, Rotterdam Sensory Thresholds II – Passerby is published on the occasion of Katherina Heil’s residency at Nida Art Colony(LT), 1 Nov – 31 Dec 2018 and was made possible by the generous support of the CBK Rotterdam.
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2016DIALOGUE WITH A STONE Book myself Katherina Heil Rotterdam, Netherlands katherinaheil.de/text-dialoguewithastone_pub.html artist book DIALOGUE WITH A STONE - Katherina Heil 2016 Publication Digital printing/ 90 pages / hand-bound / 14,8 x 21 cm Design/ Editing: Katherina Heil Text: Katherina Heil Photography/ Credits: Katherina Heil 5-7, 11-15, 19-35, 39-47, 51-67, 71-75, 79, 81 Willem Mes 8/9, 16/17, 36/37, 48/49, 68/69, 77, 82/83 Dialogue with a stone is published on the occasion of Katherina Heil’s residency at Stichting Kaus Australis Rotterdam (NL), 1 Oct – 31 Dec 2016 and was made possible by the generous support of the Mondriaan Fund, Amsterdam.
reviews
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2025Vom Verhalten Zueinander Magazine Lucia Kaufmann for ArtLine Hamburg, Germany Publication, print
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2025Magazine Monopol Deutschland Germany Publication, online
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2024The Sea We Want to See Magazine Heeseung Choi Netherlands artviewer.org/the-sea-we-want-to-see-part-1-at-korea-foundation-gallery/
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2024The Sea We Want To Sea Blog/Vlog Heeseung Choi Seoul, Democratic People's Republic of Korea exhibition review written by curator Heeseung Choi 2023
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20232022 TV NDR German Broadcaster TV "Unser Norden" Hamburg, Germany
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2022Der Lächelnde Hase - Künstlergespräche auf FSK Radio Hamburg Radio Carsten Rabe, Madeleine Lauw Hamburg, Germany artist interview
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2018
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20172022 Gemma Medina Estupiñan Eindhoven, Netherlands katherinaheil.de/text-review_defabriek.html an exhibition review written by Gemma Medina Estupiñán (art historian, curator & cultural producer), 2017
Awards and grants
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2025Research (sinds 2004) Stroom, Den Haag The Hague, Netherlands
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2025Voucher Biennale Liverpool Mondriaan Fonds, Amsterdam (NL) Amsterdam, Netherlands
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2024International Presentation Mondriaan Fund, Amsterdam Seoul, Democratic People's Republic of Korea exhibition grant
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2023Bezirkskulturfonds Berlin Lichtenberg BKF Berlin Berlin, Germany exhibition grant/ artist fee
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2023SPOT exhibition grant (sinds 2004) Stroom, Den Haag 2009, Netherlands exhibition grant
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2022SPOT exhibition grant (sinds 2004) Stroom, Den Haag 2021, Netherlands exhibition grant
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20222021 Mondriaan Fonds Amsterdam Netherlands Project Grant
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2022Guest Atelier Mondriaan Fonds Amsterdam Amsterdam, Netherlands Guest Atelier
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2021SPOT Grant Group exhibition SPOT STROOM, Den Haag The Hague, Netherlands SPOT Grant for the Group exhibition OHRIVERSUM - Sensory Threshold LAB 2021 at De Fabriek Eindhoven
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2021Scholarship of Freie und Hansestadt Hamburg Hamburg 2023, Germany Scholarship of Freie und Hansestadt Hamburg
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20192023 Mondriaan Fonds Amsterdam Amsterdam, Netherlands Project Grant
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2018O&O Research and development grant CBK Rotterdam O&O grant Rotterdam, Netherlands O&O Research and development grant
Secondary art-related activities
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2021 - --part of the organization team Billytown On-going
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2009 - --freelance photograher On-going