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The Hague artists
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Hatice G Guleryuz

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    Super 8 films, installation pieces. Sometimes there is a sense of melancholy when realising the amount of time that has passed after an image has been captured on film, photograhy even any form of creation. I believe that memory is key in defining and shaping who we are as individuals. I do not want my images to be illustrations. Rather I want to capture a moment that impacts the viewer in an almost physical way. I want to tap into those primary and almost physical memories through these images and the way they relate to each other. Even if we do not recognise it on a rational level, we are familiar with the sensation. The cliché ‘there is danger in the air’ present us with an emotion, a sensation with which we are all familiar. It illustrates our almost instinctual reaction to certain situations. Something is not quite right, or feels wrong, but we cannot really put our finger on it rationally. Through my films I want to recreate those feelings that are familiar, but which one cannot quite articulate.

    BALCONY, 2019
    10min
  • That is Certainly One Way to Look at the Matter
    info

    I am inspired by Caspar David Friedrich -emotional response to the natural world

    That is Certainly One Way to Look at the Matter, 2016
    Oil on canvas, 140 x 100 cm
  • Listening Up and Ahead or Beyond Contemplation
    info

    emotional response to the natural world

    Listening Up and Ahead or Beyond Contemplation, 2016
    Oil on canvas, 140 x 100 cm
  • Respond in certain ways to certain stimuli
    info

    Photographic collage series. Research about Mental images - They are the most vivid in their visual intensity - Composed of different images from different scenes-almost like records and reads like film.

    Respond in certain ways to certain stimuli, 2016
    Archival fine art print mounted on dibond, 51×70 cm
  • Respond in certain ways to certain stimuli
    info

    Photographic collage series. Research about Mental images - They are the most vivid in their visual intensity - Composed of different images from different scenes-almost like records and reads like film.

    Respond in certain ways to certain stimuli, 2016
    Archival fine art print mounted on dibond, 66×100 cm
  • Remember this next time
    info

    Photographic collage series. Research about Mental images - They are the most vivid in their visual intensity - Composed of different images from different scenes-almost like records and reads like film.

    Remember this next time, 2016
    Archival fine art print mounted on dibond, 60×90 cm
  • Longing for a home that no longer exists or has never existed
    info

    Photographic collage series. Research about Mental images - They are the most vivid in their visual intensity - Composed of different images from different scenes-almost like records and reads like film.

    Longing for a home that no longer exists or has never existed, 2016
    Archival fine art print mounted on dibond, 47×70 cm
  • The by-products of countless human choices
    info

    Photographic collage series. Research about Mental images - They are the most vivid in their visual intensity - Composed of different images from different scenes-almost like records and reads like film.

    The by-products of countless human choices, 2016
    Archival fine art print mounted on dibond, 74×106 cm
  • A direct impact on the realities of the future
    info

    Photographic collage series. Research about Mental images - They are the most vivid in their visual intensity - Composed of different images from different scenes-almost like records and reads like film.

    A direct impact on the realities of the future, 2016
    rchival fine art print mounted on dibond, 51×70 cm
  • The thin beams of sensory experience,
    info

    The thin beams of sensory experience,, 2016
    rchival fine art print mounted on dibond, 56×70 cm
  • Social Body
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    Please listen with headphones to experience 3D effect. Binaural installation piece.

    Social Body, 2015
    0:31
  • Rethink
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    Please listen with headphones to experience 3D effect. Binaural installation piece.

    Rethink, 2015
    1:29
  • info

    Many years ago I went to South of Turkey Air Base. The base is within an urban area of 1.7 million people. Incirlik Air Base has a U.S. Air Force complement of about five thousand airmen, with several hundred airmen from the Royal Air Force and Turkish Air Force. When I saw all fighter air crafts while training on the air, I was so impressed. Huge big machines were flying top of me with powerful design. This project still not finish I am working on it. This serie of light box just part of it.

    , 2015
    Light Box, 27x20
  • info

    Many years ago I went to South of Turkey Air Base. The base is within an urban area of 1.7 million people. Incirlik Air Base has a U.S. Air Force complement of about five thousand airmen, with several hundred airmen from the Royal Air Force and Turkish Air Force. When I saw all fighter air crafts while training on the air, I was so impressed. Huge big machines were flying top of me with powerful design. This project still not finish I am working on it. This serie of light box just part of it.

    , 2015
    Light Box, 27x20
  • info

    Many years ago I went to South of Turkey Air Base. The base is within an urban area of 1.7 million people. Incirlik Air Base has a U.S. Air Force complement of about five thousand airmen, with several hundred airmen from the Royal Air Force and Turkish Air Force. When I saw all fighter air crafts while training on the air, I was so impressed. Huge big machines were flying top of me with powerful design. This project still not finish I am working on it. This serie of light box just part of it.

    , 2015
    Light Box, 27x20
I am preoccupied with what I call 'memory-images', or representations that seem like a memory
Memory and its visual representation are of special interest to me because of the nature of my work. Sometimes there is a sense of melancholy when realizing the amount of time that has passed after an image has been captured on film, photography even any form of creation. I believe that memory is key in defining and shaping who we are as individuals. What are our memories made of, and how do they determine our present and future perceptions and imaginaries? My work is not so much about finding the truth in an image, but more about what is invested in the production of reality Whether subtly poetic, contemplative, or explosively raw, I am trying manage to address in my films, photographs, texts and drawings a sensibility of unsettledness, a modus of articulation that urges us to look again, pay attention to detail, and not immediately trust the image and that what it appears to represent. My works not conceived in a rational way. My approach is to a certain extent rather intuitive, though that does not mean that my work is not conceptual. I see intuition as a very fast mode of thinking, a method by which more than one concept can be taken into consideration at a given moment. Working associatively, the ideas for my work come to my mind in the form of images. I am preoccupied with what I call 'memory-images', or representations that seem like a memory. They are not based upon a specific outside reality but instead they are fragmentary and fleeting mental images. Although informed by my memories, they are not direct translations or illustrations of particular memories from my life. Through my work, I am more interested in evoking a feeling or sense and representing memory as a dream-like state. Although intuition has been a great catalyst in making my work, I feel that this alone is not enough. For some time I have felt the need for a stronger foundation or a general field of knowledge on which to base my intuitive way of working, Over the past year I have become more interested in 3D Binarual Sound recording and editing . While at first I started out with a single situation and added more people. These sounds can emphasize qualities, such as tension, which are already present in our memory images. Last 5 years I lived in Los Angeles and during that time I wanted stop participate any exhibitions or project, because I wanted give my full attention to my new ideas, my developments in Los Angeles.

Websites

Artist Website

www.haticeguleryuz.com

Social media

www.linkedin.com/in/haticeguleryuz

Curriculum vitae

Education

  • 2016 - 2018
    Virtual Reality Unity Workshops in Los Angeles Los Angeles
  • 2002 - 2004
    Researcher (Diploma) Maastricht, Jan van Eyck Academie
  • 2000 - 2002
    Master(Diploma) Rotterdam, Piet Zwart
  • 1995 - 1996
    2nd fase Ateliers Arnhem diploma

exhibitions

  • 2015
    And the Livin' is Easy Ram Foundation, Rotterdam, The Netherlands Rotterdam, Netherlands I presented my 3D Binaural Sound installation ramfoundation.nl/artist_id.php?id=99 Group
  • 2014
    Fast Forward Rampa Istanbul, Solo Show, Istanbul, Turkey Istanbul, Turkey rampaistanbul.com Solo
  • 2014
    PUBLIC SPACE, PUBLIC GRACE François Ghebaly Gallery, Los Angeles, USA Los Angeles, United States Inspired by the recent protests throughout the world, Square(s) is an exhibition that invites and entices various perspectives on the idea of occupation. As it happens with protestors in the street, the works exhibited have been moving to new positions within the gallery cube, as this exhibition is attempting to constantly redefine itself. ghebaly.com/ Group
  • 2013
    Art Fair Frieze Art Fair, London, England London, United Kingdom It presented by Rampa Gallery frieze.com/fairs/frieze-london Group
  • 2012
    The Human Frames Werkstatt der Kulturen, Berlin, Germany Berlin, Germany www.human-frames.com/ Group
  • 2009
    Radical Closure e-flux New York, United States www.e-flux.com/search?q=hatice+guleryuz Group
  • 2005
    9th International Istanbul Biennial 9th International Istanbul Biennial Istanbul, Turkey 9b.iksv.org/english/ Group

Projects

  • 2005
    Research Istanbul, Turkey 9b.iksv.org/english/ Research Project: what people are looking at is a sign of what they are paying attention to; people act intentionally and are goal directed; people have positive and negative feelings in response to things around them; and people have different perceptions, goals, and feelings while developing of mind permeates everyday social interactions—affecting what and how we develop, learn, how we react to and interact with other people, culture, how we assess the fairness of an action, and how we evaluate ourselves...

International exchanges/Residencies

  • 2005
    Platform Istanbul Istanbul, Turkey Platform Garanti Art Residency ( renamed Salt, no more residency programs saltonline.org/

Sales/Works in collections

  • 2015
    Two Buildings Rampa Istanbul, Turkije 3D Binaural Sound Instalation
  • 2015
    Adjusting to the situation Private Collection Istanbul, Turkije Drawing on the paper, 108x84 cm, 2012
  • 2015
    baskiya hazir- redacted Private Collection Istanbul, Turkije Painting- redacted 150x 220 cm, 2013
  • 2014
    Comprehensible Intersection, Private Collection Istanbul , Turkije Drawing on paper Comprehensible Intersection,124x 104 cm, 2012

Publications

reviews

Awards and grants

  • 2005
    The Istanbul Biennial  Fonds BKVB, Amsterdam (Mondriaan Fonds)  Amsterdam, Netherlands The Istanbul Biennial project grant 
  • 2004
    Basisbeurs  Basisstipendium FONDS VAN BEELDENDE KUNST, VORMGEVING EN BOUWKUNST  Amsterdam, Netherlands grant 

Representation

Secondary art-related activities

  • 2015 - 2018
    In Los Angeles Virtual Reality
Photography Painting Media art Video art Film Sound art

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