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NOISE is a short essay film that is part of the graduation project Fabricated Fears by Fenna Jensma. Fabricated Fears is an artistic counter-offensive against the visual regimes of far-right politics, and a plea for developing critical visual literacy. In this counter-offensive, different mediums are used. NOISE serves as Jensma’s own propaganda by embodying the trope of the “innocent” woman. By reframing this archetype not as a passive figure, but as an autonomous entity that speaks back, the film inverts the communication patterns deployed by far-right politics.
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Installation view as part of Graduation Show Royal Academy of Art, The Hague, July 2026
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Artistic response n1. Fabricated Fears
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Artistic response n2. Fabricated Fears. Made from collected images that are used by two Dutch far-right parties (FVD and PVV) that show a woman.
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Handmade table of content, that served as a place for dialogue and sessions around far-right visual regimes.
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Conversation sessions Fabricated Fears
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Publication Do you have a real smile: Deconstructing of campaign-image:stock photo nr.2 Get Fit Again
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Publication Get Fit Again: Deconstructing of campaign image: stock photo nr.2 Get Fit Again
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Publication Goedemorgen Nederland: Case-study on photography at Geert Wilders' instagram
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Installation view To Touch The Sun, group exhibition, Paradise, The Hague, july 2024. Image by Mirko Pirisi.
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Installation view To Touch The Sun, group exhibition, Paradise, The Hague, july 2024. Image by Mirko Pirisi.
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Installation view To Touch The Sun, group exhibition, Paradise, The Hague, July 2024. Image by Mirko Pirisi.
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This video work follows the artist's discovery of a discarded bag of slides: photographs her late grandfather took between the 1960s-1980s that her family had deemed "not relevant" enough to keep. Set against excerpts of a recording from the artist's final conversation with him, the piece explores inherited memory, the intimacy of analog viewing rituals, and what gets erased when a family archive is edited down to only what matters.
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Installation view solo exhibition: The Pill - A dialogue between you and me at Fotogalerie de Gang, Haarlem. 2024
Websites
Personal website
www.fennajensma.comSocial media
Curriculum vitae
Education
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2024 - 2026MA Photography & Society Den Haag, Koninklijke Academie van Beeldende Kunsten diploma
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2014 - 2018BA Applied photography and image communication Fotovakschool Rotterdam diploma
exhibitions
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2026Zilveren Camera 2025 Photomuseum Hilversum Hilversum , Netherlands Nominated portrait of Emirhan X in the category Portrait. fotomuseumhilversum.nl/tentoonstellingen/zilveren-camera-2025 Group
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2026It takes [2] to see [1] Royal academy of fine arts The Hague, Netherlands It takes [2] to see [1], KABK, graduation show exhibition, exhibited Fabricated Fears, alongside with my peers of the MA Photography & Society graduation.kabk.nl/2026/fenna-jensma Group
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2026GOGBOT X Concordia productielab Concordia kunstruimte Enschede, Netherlands In de aanloop naar het GOGBOT-festival wordt in Concordias kunstruimte een werk- en residentieprogramma van twee weken gerealiseerd. Vier jonge pas afgestudeerde internationale kunstenaars worden uitgenodigd om een site-specific werk te realiseren, onder begeleiding van vier gevestigde Enschedese kunstenaars. www.concordia.nl/nl/agenda/gogbot-x-concordia-productielab Group
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2025To Touch The Sun Paradise The Hague, Netherlands exhibited Zone of Toleration, alongside with my peers of the MA Photography & Society www.kabk.nl/en/events/to-touch-the-sun-by-1st-year-students-master-photography-and-society Group
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2025Push, Pull, Shift. Zivi Atelje DK Zagreb, Croatia Pop-up exhibition MAPS, Zagreb, Croatia. Curated by Mirko Pirisi. Group
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2024The Pill - A Dialogue Between you and me Fotogalerie De Gang Haarlem, Netherlands The Pill - A Dialogue Between you and me, Solo exhibition Fotogalerie De Gang Haarlem. Curated by Marc Prüst. doopsgezindhaarlem.nl/fotogalerie/detail-terugblik/FennaJensma Solo
Projects
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2025
Fabricated Fears Koninklijke Academie van Beeldende Kunsten The Hague , Netherlands Fabricated Fears is an artistic counter-offensive against the visual regimes of far-right politics, and a plea for developing critical visual literacy. I unpacked seemingly innocent-looking images that are shared and circulated within two far-right Dutch political parties. These images serve as visual sedatives, stripping away critical viewing and manipulating the viewer toward radical, exclusionary ideologies. Far-right politics is deeply intertwined with the regulation and control of femininity. The “protection” of (white) femininity is a familiar instrument of state violence. A strategy present throughout history, it continues to be used to this day. White women are rarely viewed as dangerous, a perception rooted in sexist, internalised prejudice, and so their perceived innocence becomes a tactical advantage in far-right agendas. This is used to legitimize anti-immigration politics and racism, positioning the white woman as a vulnerable symbol in need of protection. This exploitation of feminist themes increasingly appears in anti-migration and anti-Islam campaigns; a calculated attempt by Western European far-right parties to advance xenophobic and racist politics through the promotion of gender equality. I have conducted this research based on my experience as a photographer and former photo-editor working in journalism, using both perspectives from within the image-making process. Photographs shape our worldview, both consciously and unconsciously, and contribute to how we define and understand ourselves and others. This research takes shape through an artistic response: photographs, video, collage and four different publications. By dissecting and recontextualizing the materials I encountered, the work exposes a reactivation of the already problematic, standardized, and idealized image of women. My work is based on the understanding that when the image of the “innocent” white woman is propagated, that all women’s rights come under pressure and racist violence increases.
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2025
Uncanny politics and its imaginations How AI visuals can breed racism and help the radical right FoMu Antwerpen Antwerp, Belgium fomu.be/trigger/articles/uncanny-politics-and-its-imaginations Published part of my research of Fabricated Fears at the Networked Audience x FOMU edition.
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2023
The Pill - a dialogue between you and me Netherlands, Netherlands www.fennajensma.com/thepill-adialoguebetweenyouandme In The Pill – A dialogue between you and me, I investigate how a personal experience can be the starting point for a broader social conversation about contraception. A long-term illness resulting in an organ transplantation became reality for my close friend, Lola Kurpershoek. The visual story depicts an inner struggle accompanying a disease process after taking the contraceptive pill. Our friendship initiated a collaboration in which we explore the female body and contraception together. What happens if you fall seriously ill from a medication that is supposed to protect you? What if that medication is a symbol of the empowerment of women? Are you still allowed to criticize it? Is it still appropriate to see this medication as a symbol of emancipation? With this project, I offer a critical and nuanced perspective on the choices that every woman and person with a uterus has to make, and how these choices can have consequences for the rest of their lives.