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Installation view of West Of The Birch Trees, graduation work at KABK (Den Haag, NL).
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Self-produced publication of West Of The Birch Trees, my graduation project.
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From "West Of The Birch Trees".
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From "West Of The Birch Trees".
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From "West Of The Birch Trees".
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From "West Of The Birch Trees".
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From "West Of The Birch Trees".
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This place was once a tower, a home, a garden. Now it is a square. It remembers the comings and goings of peoples, from Turks, to Slavs, to Jews and Greeks. Time has washed away the stains, yet traces linger still. In the burst of pigeon flight, to the slow slink of the ginger cat. Amongst the blues and reds of the scrawling graffiti and in the scarred bark of the two trees. It rests on the hands and faces of the people that sit in the shade of the byzantine wall. A central stage for small acts, the square invited us to sit and watch the shadows grow. What can be found in absence? Can dormant seeds bloom? From the physical act of placing a seed in the soil to the chance encounter of two like-minded strangers, we document these encounters. Through this artistic intervention, we have seen the ghosts of the city, hiding in the quiet whispers of the walls. Developed in collaboration with ana francisco-horsthuis-, Ben Morrison, and Roger Anis. https://vimeo.com/996575484
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Installation view of Can Dormant Seeds Bloom?, at Beetroot (Thessaloniki, GR)
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From "West Of The Birch Trees".
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From "West Of The Birch Trees".
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From "Nothing is Permanent".
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Installation view of How To Disappear, at Gallery Paradis (Den Haag, NL).
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From "How to Disappear".
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From "How to Disappear".
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From "How to Disappear".
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From "How to Disappear".
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From "How to Disappear".
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Installation view of Later Came Early, at Fabrica Research Center (Treviso, IT).
Websites
Personal website.
anastasiamiseyko.comREPHRASE. is a media platform that amplifies fresh, under-represented perspectives by publishing both Dutch- and English-language texts from writers around the world, where I had the honor to publish an extract of my thesis in collaboration with MigraVoice.
www.rephrasemag.com/wereld-en-actie/migravoice-shifting-the-migration-narrativePhotoVogue is a global image-platform powered by Vogue that curates and amplifies emerging photographers and under-represented visual voices, offering both a database of standout image-makers and opportunities for editorial exposure. A collaborative project was published there, among other photographic entries.
www.vogue.com/article/summer-flashbacks-in-a-melancholic-series-nothing-is-permanent-by-anastasia-miseyko-and-pietro-bucciarelliThe Philosophy and Photography Lab brings together lens-based artists and philosophers in small-group collaborative projects, where visual practice meets philosophical inquiry to generate both artwork and critical reflection. The result of my field work in Thessaloniki was published there.
phlsph-lab.com/talk/fragments-in-transit/On the Scales of the Photographic: PH LS PH + Commissioned workshop by the MA of the Royal Academy of Art, The Hague (KABK).
phlsph-lab.com/work/Various photographs published in Die Zeit.
www.zeit.de/familie/2025-05/vaterqualitaeten-beziehung-fairness-kommunikation-kinderVarious photographs published in Atmos.
atmos.earth/political-landscapes/productivity-culture-ableism-ecofeminism-capitalism-the-slow-grind/A photograph for The Atlantic.
www.theatlantic.com/books/archive/2024/09/poem-howard-altmann-fog/679920/An artist feature/spotlight on Booooooom.
www.booooooom.com/2023/02/23/photographer-spotlight-anastasia-miseyko/A photograph for Harvard Business Manager Magazin
www.manager-magazin.de/hbm/selbstmanagement/selbstblockaden-wie-traumatische-erfahrungen-die-karriere-beeinflussen-koennen-a-b8acbec6-df24-4e9c-8493-bce88d096441A collaborative project was published/featured on PHROOM.
phroomplatform.com/anastasia-miseyko-pietro-bucciarelli/A photograph for Philosophie Magazin.
www.philomag.de/artikel/maschinen-ohne-eigenschaftenAn artist feature/spotlight on Der Greif.
dergreif.org/guest-room/christine-marie-serchia--charlotte-jansenSocial media
Member of a professional association/artists’ association
Connected Archives
Curriculum vitae
Education
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2023 - 2023Research/philosophical inquiry/photography PHLSPH – Philosophy & Photography Lab
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2023 - 2025MA Photography and Society Den Haag, Koninklijke Academie van Beeldende Kunsten diploma
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2018 - 2020Photojournalism MA Universidad Autónoma de Barcelona diploma
exhibitions
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2025PUSH PULL SHIFT Živi Atelje DK Zagreb, Croatia Collective exhibition at Živi Atelje in Zagreb, part of a fieldwork research week in Croatia. ziviatelje.dk/en/ Group
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2025AS WATER SOFTENS STONES Royal Academy of Art (KABK) The Hague, Netherlands My graduation work, West of the Birch Trees, present in the Graduation Show 2025, held from July 3 to July 8, 2025. anastasiamiseyko.com/installation-views Group
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202400:05:59’ Gallery Paradise The Hague, Netherlands Collective exhibition in partnership with the Doggerland Foundation and The Embassy Of The North Sea. www.embassyofthenorthsea.com/events/000559-group-exhibition-kabk/ Group
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2024FRAGMENTS IN TRANSIT Beetroot Thessaloniki, Greece Can dormant seeds bloom? - Video and performance exhibition presented as part of a fieldwork research week in Greece. phlsph-lab.com/news/ Group
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2022LATER CAME EARLY Fabrica Research Center Exhibition held at Fabrica Research Centre in Treviso, Italy, on February 19, 2022, marking the culmination of my six-month residency. www.behance.net/gallery/138378067/LATER-CAME-EARLY-Exhibition Group
Projects
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2025
West Of The Birch Trees Kirovogrado, Jmelnitskiy (Ukraine), La cala de Villajoyosa (Spain), Ukraine anastasiamiseyko.com/west-of-the-birch-trees Born in Ukraine in the mid-1990s and raised in Spain from early childhood, my work often begins from a place long familiar to me: movement—not just across borders, but across languages, systems of meaning, ways of remembering, and uncertain definitions of "home". For many migrants, this movement is not episodic but foundational. As such, the relationship to place is not inherited, but provisional and constructed. West of the Birch Trees explores this tension of "home" as both a longing and a logistical concern, a non-place and a highly contested one—vulnerable to legal precarity, housing insecurity, and a lack of intergenerational rootedness. Structured around several return journeys to Spain and Ukraine, the act of returning, both literal and symbolic, operates as metaphor and method for examining diasporic experience. Throughout my research I position myself as participant, subject, and mediator. The work consists of a multimedia installation and a publication, where photography and writing function as partially performative and relational gestures. West of the Birch Trees suggests that the autobiographical act itself becomes a form of belonging —through cyclical retelling, retranslation, and reorientation, and through the radical acknowledgment that some homes exist most vividly in their absence.
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2024
How To Disappear Doggerland Foundation Den Haag, Netherlands www.embassyofthenorthsea.com/events/000559-group-exhibition-kabk/ Sometimes things need to disappear completely to then reappear. HOW TO DISAPPEAR explores The Sea—and specifically Doggerland, the submerged landmass that once connected Britain to continental Europe—as a space of disappearance and imaginative reconstruction. Through images that oscillate between documentation and fiction, I investigate the tension between absence and representation, questioning how we construct meaning in the face of what can no longer be seen, touched, or measured. Using photography and post-production as tools of speculative archaeology, I subtly intervene within seemingly ordinary images—scenarios that quietly disturb our perception of the sea and its histories. The project plays with how we romanticize and misunderstand our natural environments: how we aestheticize the sea while exploiting it, mythologize it while destroying its ecosystems. These photographs are not reconstructions, but meditations on absence, presence, and projection—visual fragments that hint at a submerged past and an equally submerged critique. By embedding strangeness into documentary language, I invite viewers to question what they see, what they think they know, and what has already been lost beneath the surface. It is about understanding how deeply human narratives are embedded in landscapes, even those no longer visible—and how art can imagine their echoes into relevance again. A human perspective cannot be escaped. But acknowledging it becomes a method: to reflect, to question, and to propose new relationships with both history and the non-human world.
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2024
Nothing is Permanent Photovogue Serra San Quirico , Italy www.vogue.com/article/summer-flashbacks-in-a-melancholic-series-nothing-is-permanent-by-anastasia-miseyko-and-pietro-bucciarelli Nothing is Permanent is a collaborative photographic series with Pietro Bucciarelli that investigates the interplay between memory, intimacy, and the fleeting nature of experience. The project foregrounds the collaborative process itself, intentionally blurring distinctions between author, subject, and observer. By sharing agency and narrative control, the images are neither solely autobiographical nor purely documentary, but instead operate in a relational space where memory and perception are co-constructed. This collaborative methodology challenges conventional notions of authorship and highlights the ethical and aesthetic potential of working “with” rather than “about” a subject.
International exchanges/Residencies
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2026FOMU - Photo Museum Antwerp Antwerp, Belgium (Starting April 2026) Residency at Fomu, working for Trigger fomu.be/
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2023Habitat Cà de Monti (5Km away from Tredozio), Italy A collective residence and workshop for the cultural revitalization of villages, rural, and suburban areas. They are a permanent cult(r)ural settlement and collective workshop carrying participatory practices of living and publishing within and beyond the local scale. I had the pleasure of taking part in their initiative for 8 months. habitattt.it/?utm_source=ig&utm_medium=social&utm_content=link_in_bio&fbclid=PAZXh0bgNhZW0CMTEAc3J0YwZhcHBfaWQMMjU2MjgxMDQwNTU4AAGnFNkmOJxCoKsc2Pmocob7hg87U91E5msu_jOF8tGfHd2OKJjwEP2E-Kzels0_aem_hs408nXY6GagZE19zguyBw
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2022Stichting Benetton Fabrica Research Center Treviso, Italy Fabrica is an interdisciplinary research centre in Treviso, Italy, dedicated to supporting innovative work in photography, design, writing, film, and new media. Through its international residency program, it provides space, mentorship, and resources for emerging artists and researchers under 25. I had the pleasure of taking part in the program in 2022. www.benettongroup.com/en/the-group/profile/fabrica/
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2022Masseria Wave Lecce, Italy One-week artistic residency resulting in contributions to Wave-Zine, a collective publication documenting the site’s community and creative practices.
Commissions
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2024How To Disappear Doggerland Foundation Den Haag, Netherlands Part of the exhibition 00:05:59’, which is planned to be hosted again in The Hague, commissioned by The Embassy of the North Sea and The Doggerland Foundation. doggerland.earth finished
Publications
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2025Dynamic Identities Zagreb Book MA Photogrpahy and Society (MAPS) Den Haag, Netherlands Part of "The Dynamic Identities Zagreb zine" in collaboration with Master's "Photography & Society", KABK (March 2025).
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2024The Overview: Meditations on Nature for a World in Transition. Book Atmos Ltd Defebaugh, Willow. atmos.earth/topic/climate-culture-newsletter-overview/ Featured contributor: one of my photographs appears in The Overview: Meditations on Nature for a World in Transition.
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2023Wave-Zine. Issue 0: The Liberation. Book Masseria Wave Milano, Italy www.lomography.com/meetups/wave-zine-issue-0-the-liberation-launch-event-ev-2njjpqn4 A collective photographic publication produced during a one-week residency at Masseria Wave, an experimental cultural project based in a restored 18th-century masseria in Salento. The zine brings together the work of local and invited photographers to explore the site’s artistic identity through documentary and interpretive visual approaches. My contribution reflects on the masseria’s social environment and its inclusive, community-driven ethos, created through daily fieldwork, conversations, and on-site photographic research.
Representation
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Secondary art-related activities
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2020 - 2025Experience photographer for Airbnb On-going