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On the 24th February 2022, the Russian Federation began a full-scale military invasion of Ukraine. The invasion marked a new turn in a war that first broke out nine years ago, when the Crimean Peninsula was annexed in 2014, and when swaths of the Donbas region were occupied. This ongoing war is extremely brutal; the Russian military deliberately attacks civilians – killing, raping, torturing, targeting humanitarian missions, and organising forced deportations to Russia. Civilian infrastructure – be it power plants, schools, cultural objects, hospitals, public transportation or residential buildings – is often the main target. The scale of destruction and the toll of human casualties grow constantly. At the time of writing, Ukrainian government statistics show 52,633 registered war crimes, 120,000 civilian buildings destroyed, 10,607 civilians injured, and 6,755 killed. The war’s severity has led to mass displacement, both within Ukraine and beyond its borders. With fluctuating cycles of departure and return, it is difficult to estimate the scale of displacement; when only registered cases inform statistics, the reality is likely further-reaching than reports suggest. Where the International Organisation for Migration estimates that over 6.5 million people have moved internally, the UNHCR cites 7.9 million registered as refugees across Europe – of which more than 86 thousand currently reside in the Netherlands. This is the largest displacement of people in Europe since World War II, and with Ukrainian men aged 18 or over obliged to remain in the country, the majority of those uprooted are women.
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Backstage of installation
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This book is a personal story about the war in Ukraine, the life of a woman and her family in the midst of hostilities. Events that began in 2014 with the occupation of Donbas have escalated into a full-scale war causing one loss after another. I continue to cling to what little remains, back to the lost photo album in search of an answer to the question of why it all happened?
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This project is a personal story about the war in Ukraine, the life of a woman and her family in the midst of hostilities. Events that began in 2014 with the occupation of Donbas have escalated into a full-scale war and continue to deteriorate, causing one loss after another. In the millstone of the unfolding drama, I continue to cling to what little remains, constantly going back to the lost photo album in search of an answer to the question of why it all happened?
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This book is a personal story about the war in Ukraine, the life of a woman and her family in the midst of hostilities. Events that began in 2014 with the occupation of Donbas have escalated into a full-scale war causing one loss after another. I continue to cling to what little remains, back to the lost photo album in search of an answer to the question of why it all happened?
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Exhibition backstage, Graduation Show 2022, Royal Academy of Arts
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SHORTLISTED for the DUMMY AWARD 2023 No 0354 Katerina Motylova, UKR Loss 20 x 26 cm 60pp hardcover, open spine
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Websites
Social media
Curriculum vitae
Education
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2018 - 2022Photography Den Haag, Koninklijke Academie van Beeldende Kunsten diploma
exhibitions
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2025Shared Home.Shared Fight Arti et Amicitiae Amsterdam, Netherlands arti.nl/en/agenda/28-06-2025/shared-homeshared-fight Group
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2025
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2024Her Presence (Womanhood in Ukraine) Capture Photography Festival Vancouver, Canada capturephotofest.com/exhibitions/her-presence-womanhood-in-ukraine/?__cf_chl_tk=9Mmawts9SVxzomUSagZIeSjv8bCMkgpixkqzUOFaj6k-1767269459-1.0.1.1-emlCdg5FENOYm0O5huk0EZo9krzNw3xa0sx7VCNeLAY
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2023Whispers & Shouts: Voices of Ukrainian Women Photographers, Fotodok, the Netherlands Fotodok Utrecht, Netherlands fotodok.org/en/whispers_and_shouts_voices_of_ukrainian_women_photographers/ Group
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2022
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2022
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2020FRESH EYES Westergas Amsterdam, Netherlands fresheyesphoto.com/katerina-motyleva-my-annexed-family Group
Projects
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2024
Decay of Matter the Hague, Netherlands katiamotyleva.cargo.site/Decay-of-Matter Exploring the illusion of control and how technological progress often conceals responsibility for irreversible consequences. In this project, I film and photograph native plants from my home region in Eastern Ukraine (currently occupied by Russia) as a way to reconnect with my roots and reclaim a sense of belonging. Photography becomes both a gesture of remembrance and re-own, but also a self-reflection on how my own practice is part of the technological continuum. The images undergo irreversible transformations —exposed to X-rays or burned — to create new, other visuals that question responsibility, existence, and the costs of destruction. These altered images become symbols of our time, survival, and adaptation in a world marked by irreversible damage, forcing us to confront how we coexist with the aftermath.
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2023
Mother tongue the Hague, Netherlands growingpains.nl/Makers A starting point for this project was a question: «How could post-war trauma be translated to future generations?» I got my baby girl a few months before the Big Ukrainian-Russia war. Bringing a child into this world is impossible not to think about the future. What kind of world can I build for her, and what narrative to surround? Our relationship for now mostly consists of feeding. My baby girl is the recipient of care and nutrients from her mother, and I noticed that I kept gravitating towards feeding her the same foods my mother and grandmother used to feed me. This particular cuisine is rooted in Soviet culture, yet as a Ukrainian mother, I find myself wanting to break the link with the Soviet expansion on my table. This struggle runs through my body and brain. The empire seeps through my tongue and food, subsequently claiming my life. I can already see the war in the porridge and fairy tales. The semolina and sausages are not simply food, but a strong, bony hand of the past that has taken us by the throat and will not let us go. It is like a poison that has soaked into all our food and drinks, leaving a bitter aftertaste.
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2022
Loss the Hague, Netherlands katiamotyleva.cargo.site/Page-8 This project is a personal story about the war in Ukraine, the life of a woman and her family in the midst of hostilities. Events that began in 2014 with the occupation of Donbas have escalated into a full-scale war and continue to deteriorate, causing one loss after another. In the millstone of the unfolding drama, I continue to cling to what little remains, constantly going back to the lost photo album in search of an answer to the question of why it all happened?
Publications
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2024Schuldige smaken De Groene Amsterdammer Jan Postma Amsterdam, Netherlands www.groene.nl/artikel/schuldige-smaken In het huis op de foto van Katia Motylova wordt geleefd, maar tegelijkertijd voelt het leeg aan. Is het een thuis?
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2023PF Professionele Fotografie Elsje van Ree Netherlands pf.nl/interview-nederlands-fotomuseum-in-pf-2/
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2023Oekraïense fotografe Katia Motyleva: ‘De oorlog pakt alles van mij af’ NRC Miroslawa van der Boom Netherlands www.nrc.nl/nieuws/2023/05/05/oekraiense-fotografe-katia-motyleva-de-oorlog-pakt-alles-van-mij-af-a4163878#photo=LTE2ODc
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2023A Ukrainian artist’s vision of conflict, propaganda and loss E-book The British Journal of Photography PHILIPPA KELLY United Kingdom www.1854.photography/2023/02/a-ukrainian-artists-vision-of-conflict-propaganda-and-loss/ British Journal of Photography
Awards and grants
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2025Robert Bosch Stiftung, Goethe-Institut Ukraine Scattered communities project grand Asortymentna Kimnata, Visual Culture Research Center
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2025Stroom Spot Grand the Hague, Netherlands
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20232023 Kassel Dummy Award shortlisted Kassel Dummy Award Cologne, Germany 2023 Kassel Dummy Award shortlisted
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20232023 DuPho Student Award New Dutch Photography Talent Award Amsterdam, Netherlands 2023 DuPho Student Award
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2023Steunfonds Oekraiense Maker Grant Nederlands Letterenfonds Amsterdam, Netherlands 2023 Letterfonds Steunfonds Oekraiense Maker Grant
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20222022 edition, the theme "The Meaning in the Making" BLURRING THE LINES Paris, France Winner of Blurring the Lines 2022 edition Katia Motylova
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2022Aperture Paris Photo Book Award Aperture, New York New York, United States Shortlisted for Aperture Paris Photo Book Award
Secondary art-related activities
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2024 - --Podcast ZSUF On-going