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gouache on linen
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walk with fountain along Deneweg
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oyster party in a Bistro organised around the fountain. playing with contexts
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images of the moment of returning Gips collection to KABK As a part of my graduation show I wanted to bring back together the remaining plaster collection of the KABK. As a prt of this I requested to loan 4 plaster sculptures that used to belong the the KABK from the 1900s-1970s. In the 70s they were taken by the Allard Pierson collection to Amsterdam to save them from being destroyed. I requested to loan these pieces that used to be housed in the KABK and bring them back to where they used to stand 100 years ago. I worked with Hizkia and initiated it to take place. The figures were returned to the room where they used to stand 100 years ago and placed upon the original pedestals that I had uncovered from a hidden basement and restored to be used again. I recorded the process of them being transported, the clip is an extract from this day.
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I recorded the whole process of excavating the basement
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I spent everyday for 4 months in the basement
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page from artist book
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in collaboration with Erica Peuc,
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part of the series of prints produced at GWP print studio Den Haag during our time working there with Kaiming Li and Alexander Koch.
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I photographed all of the lorries/ trucks that I saw on the journey from Paris. I made studies of the graphics of all of these lorries and painted them onto boards. It was about addressing my process of travel to the exhibition and how it shaped the work.
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work for a group show in Beaux Arts
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silkscreen on wood
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silkscreen on metal
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I carved 4 ashtrays from Oak to leave in the Beaux Arts de Paris, it is a place where smoking indoors in the studios, workshops and computer rooms is normal. I wanted to leave something to keep this tradition normalised and active, the ashtrays have remained in the rooms being used everyday and unquestioned since I left. Ongoing
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adaptation of a previous work
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Websites
Social media
Curriculum vitae
Education
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2022 - 20222nd Exchange for 1 semester Academie des Beaux Arts, Parijs
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2020 - 2021Exchange for 1 semester Kunst Hochschule Weissensee, Berlin
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2018 - 2023fine art sculpture Den Haag, Koninklijke Academie van Beeldende Kunsten diploma
exhibitions
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2023To the sweet murmur of leaves AGA lab Amsterdam Group exhibition of artist books made and printed at AGA lab agalab.nl/en/to-the-sweet-murmur-of-leaves/ Group
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2023Superdruckmarkt Culterimgallery Berlin Group exhibition of prints organised in an old supermarket superdruckmarkt.com/ Group
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2023Peas and Carrots NEST den haag Part of "one nest stand"in collaboration with Erica Peucelle www.nestruimte.nl/exhibitions/peas-and-carrots Group
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2023One day out, 130minuites in Grafische werkplaats den haag Myself and Kaiming Li and Alexander Koch, were invited to work in the print studio of GWP for a 2 month period to produce a exhibition of printed works that opened during Hoogtij number 71. We were given free use of the workshops and the show remained open over the following 2 months m.facebook.com/photo/?fbid=573406911453287&set=ecnf.100063519490123 Group
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2022Boxenstopp365 ES365 Dusseldorf, Germany A group of us who studied in Paris together on exchange arranged a exhibition in Dusseldorf, we lived in the exhibition space over a week long period and presented the whole process throughout the time. From the 4th to the 10th of july we lived together, ate together, created together, shared together and exhibited together… www.instagram.com/boxenstopp365/ Group
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2022Lobster and shrimp on my plate I need my pockets so fat they inflate Trixie den Haag Duo show with Todor RAB, 2nd presentation of our ongoing project working with lobsters. Performances staged over the 3 evenings around the sale and exchange of porcelain lobsters. Shown alongside 2 video works and installation. www.trixiethehague.nl/events/lobster-and-shrimp-on-my-plate-i-want-my-pockets-so-fat-they-inflate-robin-whitehouse-and-todor-rabadzhiyski/ Duo
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2022Art is a a house that tried to be haunted Beaux Arts de Paris partis Presentation of the artist in our studio in Paris, the studio of Guillaume Paris www.instagram.com/p/Capw8gGryNN/?next=%2F&img_index=1 Group
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2021Schrodinger katzen off space Berlin Berlin Group show of the students in Berlin art school for Rundgang Group
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2021heden recollected Heden den haag An exhibition of the new works acquired for the collection Group
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2021As is where is LAAK Den Haag Exhibition with students of the 3rd year Fine Art Group
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202093-95 93-95 Bulgaria Sofia Organised by Niya Tsenkova www.instagram.com/p/CIYg0Y6DmI7/?next=%2F&img_index=1 Group
Projects
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2023
Excavation of Gips collection den haag allardpierson.nl/blog/bijzondere-gipsen-beelden-in-amsterdam-en-den-haag/ I want to piece together a view of the remaining plaster collection that used to be the significant feature of the Royal Academy of Art The Hague up until the 1960s. The collection was made up of over 6000 pieces from across Europe and now only a small handful are known to remain in the academy here today. There is very little report about where the plaster collection ended up, a few pieces were saved by the Allard Pierson Museum in Amsterdam, and a few pieces remain until today in the family homes of graduates and professors from the 1960s. Articles from the 60s-80s which mention this moment are very sparse, they mention the removal and destruction of the plaster collection, but the published information doesn’t give any further view as to what happened in 1964. After talks with a professor in London and alumni from the 1960s I’ve managed to piece together a view of where fragments of the smashed plaster collection have come to rest. These ongoing conversations that I am having are to try to get a bigger picture of this moment of destruction in the 60s and address it today. I want to tell the story and the relational aspects that shape it along the way are what intersst me. In uncovering this story, I come to see it is at a time when a lot of these stories could be lost forever if not addressed at this moment when a great deal of the alumni from the 1960s have passed away in the past years. I would like to share this with them and a wider audience.
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2020
Interventions with a rock den Haag jegensentevens.nl/2020/06/the-rock-talk-project/ https://hgtomirosa.com/archive/rock-talks.html For this project I worked with a concrete boulder that I created at the start of the Covid-19 panademic. When the lockdown started here in The Netherlands I began to transport this “rock” across the city by hand to a different site every few weeks. I would leave it in the public space outside houses, museums and parks. As the rock started to gain the public attention and interest as to whats it purpose was people started to request the presence of the rock in their neighborhoods, or outside their galleries. This was a way of them almost grasping the artwork while very much shaping the project. The photo below is from the series of “rock talk” events that I worked on with a group of young artist initiatives. In the first two of these gatherings we began to discuss how to continue collectively after the corona crisis. The rock was a space for a discourse that included the artsit community alongside the everyday public that passed by. To the right is a photo of a publication that I made to conclude the project, it included the dialogues between me and the public from the whole of the project. The publication was then distributed between everyone who encountered the rock, in the neighborhoods where the rock had been present and the galleries that had hosted it.
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Lobster and Shrimp on my plate, I want my pockets so fat they inflate den haag todorrab.net/#project1 Ongoing collaborative project with Todor Rab, Following the lobster and its changing meaning through time.
Sales/Works in collections
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2024Project for Gipsenzaal Royal Academy of Art The Hague den haag Currently working on a commission for the KABK, the work is to be on permanent display in the Gipsenzaal to address the history of academies collection of Gips. ONGOING project
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2021Webcam series Russia St Petersburg Heden den haag This series questions the role of painting and the role of the landscape as a source. I have been working in a way that shows my close relationship to painting and observation of how the notion of a romantic landscape has changed. Traditionally romantic painters would search for a landscape that tended towards an everyday scene showing the balanced relationship that man had with the landscape. Working from live webcam images and painting from there as a source gives the initial idea of a digital age. Within the webcams chosen for the series the geographical location is not of any significance to me, the aesthetic quality draws out the mundane of these locations with their everyday scenes. There is a disconnection from the landscape as a source, and disconnection from the process of painting within the works.
Publications
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2023AGA lab 65 years km Harold
reviews
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2023Bijzondere gipsen beelden in Amsterdam en Den Haag Blog/Vlog Rene van Beek amsterdam, Netherlands allardpierson.nl/blog/bijzondere-gipsen-beelden-in-amsterdam-en-den-haag/ Introduction to the project between myself and the Allard Pierson in Amsterdam