Sander Foederer

For some time now, I have been taking pictures of my partner's clothes that she kicked off the night before, too tired to fold anything. I am amazed to see these piles of clothes where sometimes the boots still stick out of the jeans. As if there was no time to waste. Like a magical dissappearance of a person. At the same time I am fascinated by its unintended beauty. I approach these findings as if it were a crime scene using a ring flash as to not cast any shadows. This way the artworks can also be used as evidence.

For some time now, I have been taking pictures of my partner's clothes that she kicked off the night before, too tired to fold anything. I am amazed to see these piles of clothes where sometimes the boots still stick out of the jeans. As if there was no time to waste. Like a magical dissappearance of a person. At the same time I am fascinated by its unintended beauty. I approach these findings as if it were a crime scene using a ring flash as to not cast any shadows. This way the artworks can also be used as evidence.

For some time now, I have been taking pictures of my partner's clothes that she kicked off the night before, too tired to fold anything. I am amazed to see these piles of clothes where sometimes the boots still stick out of the jeans. As if there was no time to waste. Like a magical dissappearance of a person. At the same time I am fascinated by its unintended beauty. I approach these findings as if it were a crime scene using a ring flash as to not cast any shadows. This way the artworks can also be used as evidence.

For some time now, I have been taking pictures of my partner's clothes that she kicked off the night before, too tired to fold anything. I am amazed to see these piles of clothes where sometimes the boots still stick out of the jeans. As if there was no time to waste. Like a magical dissappearance of a person. At the same time I am fascinated by its unintended beauty. I approach these findings as if it were a crime scene using a ring flash as to not cast any shadows. This way the artworks can also be used as evidence.

For some time now, I have been taking pictures of my partner's clothes that she kicked off the night before, too tired to fold anything. I am amazed to see these piles of clothes where sometimes the boots still stick out of the jeans. As if there was no time to waste. Like a magical dissappearance of a person. At the same time I am fascinated by its unintended beauty. I approach these findings as if it were a crime scene using a ring flash as to not cast any shadows. This way the artworks can also be used as evidence.

For years I have been collecting photos that I accidentally took in an untitled folder on my computer. I do this against the habit of throwing away anything that is not right. They are autonomous photos that seem to have taken themselves. I select them for their ability to make me look in a different way. I see them as a gateway to a paradigm shift and through the labor-intensive process of screen printing these photos I am changing their status from 'failed' to 'best practice'.

For years I have been collecting photos that I accidentally took in an untitled folder on my computer. I do this against the habit of throwing away anything that is not right. They are autonomous photos that seem to have taken themselves. I select them for their ability to make me look in a different way. I see them as a gateway to a paradigm shift and through the labor-intensive process of screen printing these photos I am changing their status from 'failed' to 'best practice'.

For years I have been collecting photos that I accidentally took in an untitled folder on my computer. I do this against the habit of throwing away anything that is not right. They are autonomous photos that seem to have taken themselves. I select them for their ability to make me look in a different way. I see them as a gateway to a paradigm shift and through the labor-intensive process of screen printing these photos I am changing their status from 'failed' to 'best practice'.

For years I have been collecting photos that I accidentally took in an untitled folder on my computer. I do this against the habit of throwing away anything that is not right. They are autonomous photos that seem to have taken themselves. I select them for their ability to make me look in a different way. I see them as a gateway to a paradigm shift and through the labor-intensive process of screen printing these photos I am changing their status from 'failed' to 'best practice'.

For years I have been collecting photos that I accidentally took in an untitled folder on my computer. I do this against the habit of throwing away anything that is not right. They are autonomous photos that seem to have taken themselves. I select them for their ability to make me look in a different way. I see them as a gateway to a paradigm shift and through the labor-intensive process of screen printing these photos I am changing their status from 'failed' to 'best practice'.

For years I have been collecting photos that I accidentally took in an untitled folder on my computer. I do this against the habit of throwing away anything that is not right. They are autonomous photos that seem to have taken themselves. I select them for their ability to make me look in a different way. I see them as a gateway to a paradigm shift and through the labor-intensive process of screen printing these photos I am changing their status from 'failed' to 'best practice'.

Mute is a series of photographs that address the experience of the sublime – both terrifying and ecstatic – and the ambiguity of the resulting facial expression. How big is the disparity between happiness and terror? What does this say when applied to our self-image and the era in which we live?

Mute is a series of photographs that address the experience of the sublime – both terrifying and ecstatic – and the ambiguity of the resulting facial expression. How big is the disparity between happiness and terror? What does this say when applied to our self-image and the era in which we live?

Mute is a series of photographs that address the experience of the sublime – both terrifying and ecstatic – and the ambiguity of the resulting facial expression. How big is the disparity between happiness and terror? What does this say when applied to our self-image and the era in which we live?

Mute is a series of photographs that address the experience of the sublime – both terrifying and ecstatic – and the ambiguity of the resulting facial expression. How big is the disparity between happiness and terror? What does this say when applied to our self-image and the era in which we live?

Mute is a series of photographs that address the experience of the sublime – both terrifying and ecstatic – and the ambiguity of the resulting facial expression. How big is the disparity between happiness and terror? What does this say when applied to our self-image and the era in which we live?

In Greek mythology the goddess of wisdom Athena is often depicted with an owl. According to the myth this owl would fly out every night to gather news and report back to Athena. This work is based on the personal stories of people I interviewed in Athens. I asked them to tell me about the smaller and perhaps more personal news—stories that I couldn't have read in the newspaper because of their seemingly insignificant nature. The big news for a moment in the background but at the same time inescapable: the enormous impact of the financial crisis on Athens and the worrying rise of the extreme right-wing political party Golden Dawn.

In Greek mythology the goddess of wisdom Athena is often depicted with an owl. According to the myth this owl would fly out every night to gather news and report back to Athena. This work is based on the personal stories of people I interviewed in Athens. I asked them to tell me about the smaller and perhaps more personal news—stories that I couldn't have read in the newspaper because of their seemingly insignificant nature. The big news for a moment in the background but at the same time inescapable: the enormous impact of the financial crisis on Athens and the worrying rise of the extreme right-wing political party Golden Dawn.

In Greek mythology the goddess of wisdom Athena is often depicted with an owl. According to the myth this owl would fly out every night to gather news and report back to Athena. This work is based on the personal stories of people I interviewed in Athens. I asked them to tell me about the smaller and perhaps more personal news—stories that I couldn't have read in the newspaper because of their seemingly insignificant nature. The big news for a moment in the background but at the same time inescapable: the enormous impact of the financial crisis on Athens and the worrying rise of the extreme right-wing political party Golden Dawn.

In Greek mythology the goddess of wisdom Athena is often depicted with an owl. According to the myth this owl would fly out every night to gather news and report back to Athena. This work is based on the personal stories of people I interviewed in Athens. I asked them to tell me about the smaller and perhaps more personal news—stories that I couldn't have read in the newspaper because of their seemingly insignificant nature. The big news for a moment in the background but at the same time inescapable: the enormous impact of the financial crisis on Athens and the worrying rise of the extreme right-wing political party Golden Dawn.

In Greek mythology the goddess of wisdom Athena is often depicted with an owl. According to the myth this owl would fly out every night to gather news and report back to Athena. This work is based on the personal stories of people I interviewed in Athens. I asked them to tell me about the smaller and perhaps more personal news—stories that I couldn't have read in the newspaper because of their seemingly insignificant nature. The big news for a moment in the background but at the same time inescapable: the enormous impact of the financial crisis on Athens and the worrying rise of the extreme right-wing political party Golden Dawn.

In Greek mythology the goddess of wisdom Athena is often depicted with an owl. According to the myth this owl would fly out every night to gather news and report back to Athena. This work is based on the personal stories of people I interviewed in Athens. I asked them to tell me about the smaller and perhaps more personal news—stories that I couldn't have read in the newspaper because of their seemingly insignificant nature. The big news for a moment in the background but at the same time inescapable: the enormous impact of the financial crisis on Athens and the worrying rise of the extreme right-wing political party Golden Dawn.